Inspired by the traces in Agustin Hernández’ house studio at Praxis, our museography design for the exhibition What Lies Under the Tree delves into the paradox of pre-Hispanic language as a cornerstone of modern Mexican identity. This notion resonates throughout every facet of this iconic residence and the architect's body of work. The design creates table displays that are crafted to carry a certain sense of permanence, as if they had been part of the space since its inception. These tables align with the oblique walls, following the same geometric logic that defines the house. Yet, they simultaneously inject a refreshing contemporary quality into the environment, serving as a strategy to unify a diverse array of sculptures, each with its own unique identity and craft.

Each table is treated with a distinct geometry, but they all share a familial resemblance through self-similar gestures, namely the equilateral triangle. By employing heritage in new formal gestures, these elements not only create a dialogue within the exhibition but intensify the interactions among visitors, inviting them to engage with the space. Through this interplay of existing and addition, our museography seeks to accentuate the legacy of pre-Hispanic gestures while underlying its relevance in contemporary identity.